Orange and Yellow Are Practically the Same Thing

My mother’s constant goal was to turn both of us into psychics.

Here is how she did it.

There used to be an ESP game whose purpose was to test and develop your intuition. It contained a deck of cards, and each card had a large, colored dot in the center, either blue, green, yellow, orange or red.

You would practice with it like this.

First, decide who is to be the Sender and who is to be the Receiver. Set up the trifold cardboard between the two of you. The Sender takes a card off the top of the deck and looks at it, but does not let the Receiver see it. Then the Sender and Receiver look into each other’s eyes, and the Sender attempts to psychically transmit the color to the Receiver. All the correct guesses go in one pile, and all the incorrect guesses in the other. As you continue to play the game over time, your ability to send and receive intuitive messages should increase.

My mother and I would spend evenings working at our psychic development at the dining room table. Whenever she would be sending yellow, and I would receive orange, and go to put the card in the “incorrect” pile, she would object.

“No, you got that one right.”

I would say, “No, you said yellow, and I guessed orange.”

Then she would say, “Oh, come on! Yellow and orange are practically the same thing.”

Thus, our intuition grew at a prodigious rate.

Norbert Reads the Cards for Bookseller Mary Webber O’Malley

 

Norbert, the protagonist of the soon-to-be-published The Reluctant fortune-Teller, has been reading the cards of authors, and today he’s reading the cards of a dynamic bookseller, Mary Webber O’Malley of Anderson’s Bookshop in La Grange, Illinois. Anderson’s is the kind of book store that makes you want to buy bags full of books, because of the friendly and helpful people there, like Mary. Anderson’s is a huge supporter of authors and readers, and regularly has literary luminaries come for signings and interviews.

Mary’s question for Norbert concerns one of her own very favorite authors: Stephen King. On September 29, he and his son Owen King are coming to an Anderson’s event http://www.andersonsbookshop.com/event/stephen-and-owen-king

As Mary shuffled her cards amid the shelves and displays of books, she focused on this question: “Will I get a chance to speak with Stephen King when he comes to town in September?”

Here are the cards Mary drew:

Four of Clubs

Seven of Clubs

Ace of Diamonds

Six of Clubs

Nine of Spades

Ten of Clubs

Jack of Hearts

Here is Norbert’s reading:

Mary, I see here a preponderance of Clubs. This signifies popularity, friendly relationships and social occasions.

The Four of Clubs says that you are more popular and more well-liked than you realize, and that you should know that your sphere of influence is widening at this time.

The Seven of Clubs says to be on the look-out for a special new relationship in particular.

The Ace of Diamonds refers to your own special talent, which is powerful. There is a mighty force of creativity within you. This is also a card of magic, so the power has a magical feel to it; it is the ability to build worlds, to build something out of nothing.

The Six of Clubs refers to a “business meeting.” This may look like a regular business meeting, or it may look more like a social occasion that turns out to push you forward in business. Since it is right next to the Ace, this meeting is full of powerful potential.

Nine of Spades can mean various things. It may say “no” to your specific question, while at the same time saying look to the other cards for a direction toward what you really most want. Or, on the other hand, it may say, you are finishing one thing, and now is a time for renewal.

The Ten of Clubs indicates a time to heal and recharge. For you, this may mean drawing happiness, energy and encouragement from relationships.

The Jack of Hearts is a fun-loving person. I feel this is the card that represents you, yourself, and you are looking happily toward that healing-recharging card.

So, Mary, what we have here is a very social period, where your connections with other people are highlighted. Your own talent and power are in the forefront now, as well, and are instrumental in how things are playing out. Something that no longer serves you is coming to an end, and this is ultimately good, as it allows the new energy to flow into your life. Concerning your question, I advise you to see in your mind and feel in your heart the conversation with Stephen King. Feel the feelings that you will experience in that conversation, as if it is actually happening now. As you do, this will reveal to you information that will assist you as you move forward.

 

 

Mary Kubica Has Her Fortune Told

Today Norbert, the main character of the soon-to-be released novel, The Reluctant Fortune-Teller, will be reading the cards for New York Times Bestselling author, Mary Kubica. Mary shuffled her cards in her home in the suburbs of Chicago, and sent us the seven cards she drew, along with her question for the fortune-teller.

Ok, my question for Norbert is this:

All of my novels have been set in Chicago.  Though I once thought Chicago would be the setting for all of my books, I’m considering changing it up for the next manuscript and moving the story somewhere else (perhaps some wonderful spot that would require a research trip!).  What should I do, Norbert?  Stay in Chicago or give another location a try?

 

The 7 cards I picked were (from left to right):

Jack of Clubs

Queen of Spades

10 of Diamonds

5 of Hearts

Jack of Spades

10 of Spades

2 of Spades

Here is Norbert’s assessment of Mary Kubica’s query:

The question you pose is an interesting one, Mary!

 First of all, I see a preponderance of black cards—five out of seven. This indicates that it will be most important to always maintain a positive mental attitude. The next thing I notice is all the face cards! My! Are these people in your day-to-day life, or characters in your next novel, I wonder?

Let’s see….

 The Jack of Clubs is a person with hidden depths and undeveloped potential; this could be a child or an adult. Could be either gender, but I have a feeling this one is male.

 Next, the Queen of Spades represents a perceptive and talented woman. I feel that this card is you, yourself.

 Now, the Ten of Diamonds is an extremely favorable card. It says, “Your project gains traction. Whatever you have been focusing on is ready to take off now!” This is a very good card for an author!

 The Five of Hearts can show a separation of loved ones; the important thing to know here is that you are safe, and ultimately, it all turns out well. Perhaps, in view of your question, this might mean you could travel for research and be away from family for a short time.

 Then you have the Jack of Spades—again, could be either gender, but I think this one is female: a younger version of you. So, could it be that you would be separated for a brief period from this young person in order to do your travel research?

 Next, you have the Ten of Spades, and this does show research and beginning a new work. Traditionally, it stands for new beginnings, learning and growing.

 Last of all you have the Two of Spades, which indicates a short delay, and that it may be hard to wait for what you want. While waiting, the cards always advise doing a small, random act of kindness, as it makes the time go faster, and is always good karma.

 Mary, it does look like you will be travelling to do research for a book that will really take off!

As you consider destinations, I have to suggest my own beautiful New York State, a land of green, rolling hills, winding roads, farms and forests. Or did you have the tropics in mind?

 Readers, what do you think about Norbert’s reading?

And do you have suggestions for the location of Mary Kubica’s next novel?

 

What I Am Learning about Revision from My Agent and Editors

  1. I try to keep a light heart: Revision can be an expanding part of the creative process. With the right editorial people, revision can bring out the best in a story.

 

  1. I slow my roll: I’m not gonna lie: seeing lots of “suggestions for improvement” on my work inspires many (ahem) feelings. I now read those suggestions, put them away, do other things, and come back to the work in 24 hours, rather than respond immediately. Considered overnight, most suggestions have turned out to be spot-on, but I couldn’t see that at first glance. The suggestions that still don’t seem right simply become points for discussion.

 

  1. I read differently now. I can’t read anything without seeing where tighter editing might have improved a work—not only my own, but everyone’s!

 

  1. True confession: despite having a master’s degree in English and reading voraciously for decades, I did not know that every scene in a novel is supposed to move the story forward. I really did not ever grasp that fact! After working on revisions for my first novel, where I was asked “What’s the point?” about a couple of scenes, I learned that “It’s funny!” is not enough justification for a scene to exist. This has been a game changer for me! Now, when I edit my own work before sending it in, I ruthlessly slash every scene that does not advance the story. Or, if I love the scene too much to cut it, I add what that scene needs to make it an integral part of the story.

 

  1. I am grateful for everyone who takes the time to study what I have written and make suggestions which I may or may not follow. Every writer wants to be carefully read.

 

Please share your thoughts on writing and revision here!

 

 

Starting a New Novel: A Metaphor

The 1980’s family is in the car, looking forward to their road trip. They’ve taken a couple of road trips before and the kids are dying to get going. But the driver—let’s call him “Dad”—is sitting up front fiddling endlessly with his roadmap.

The kids squirm. It’s getting hot in the car. “Can we just go already?” they whine.

Dad, the killjoy, won’t go until he’s selected all his routes, circled all his exits, and considered all the most interesting stopping places along the way. He knows the kids’ cry “Can we just go already?” will turn into “Aren’t we there yet?” before he gets to the first highway exit.

That’s just kids, he’s thinking. Wherever they are, they want to get to the next place. Dad is deliberate and steady. He’s not turning the key in the ignition until he’s thought it all out. Sure, there will be surprises and adventures he hasn’t pre-planned, but he’s not going to get his family lost. He’s not going to waste precious time on this trip.

Although to the kids, it feels like that’s all he is doing: wasting time with the boring map. They want to see stuff. They want to feel the wind in their hair. They want to take snap shots and have a good time. Sitting in the driveway, waiting for the fun, makes them want to slap each other.

Mom is alternately telling the kids to be quiet and let Dad concentrate, and then suggesting to Dad that maybe he has enough of the mapping done to get started. It is getting hot in the car.

I’ve been beginning this new novel for too long. That’s how it feels.

For my first novel, I used exercises from The 90-Day Novel, by Alan Watt, to plan it out. I also took an online novel writing course offered by Faber Academy in the U.K.

For my second novel, I used techniques from The Story Grid, by Shawn Coyne and Writing the Breakout Novel Workbook, by Donald Maass.

For my third novel, I am using methods from Story Genius, by Lisa Cron, and continue to refer to the other books listed above.

Maybe getting started on the writing of this, my third novel would have happened sooner if I’d stuck to methods I’d already learned, but I wanted to learn new things.

I have a huge pile of index cards for scenes and characters. I’m finishing up an outline which, like rules, is made to be broken. I’ve charted my plot points, but maybe I don’t have all the plot points I need yet, I worry insecurely. I’ve done a bit of research, but need to do more. I’m sort of ready. Not totally ready.

But hey. They do say, No surprise for the writer, no surprise for the reader.

There does come a point when it’s time to fold up the map and turn the key in the ignition. That point comes today. We’re on our road trip.

The kids holler and cheer out the window.

Research for The Reluctant Fortune-Teller

 

As I was writing the first draft of The Reluctant Fortune-Teller (whose original title was How to Tell Fortunes with Cards), I thought I should go and get my fortune told. Research, you know.

When I was in my teens and twenties, I used to do this all the time. I won’t say it was all baloney, because it just wasn’t. While I did have many experiences of paying good money to hear pure nonsense, there’s no denying that there were also several times I was actually deeply impressed and knew that something I could not understand or explain was going on.

That was very cool.

Looking back, my impression is that there were a couple of straight-up scam artists, but the majority were trying to tune into their psychic energy and deliver a real reading.

Mrs. McKee was a neighbor in a little rural town I lived in. She read cards in her front room while her unemployed husband and teenagers sprawled before a blaring TV in the living room. She claimed that she’d been taught to read cards by an old Gypsy, and that this gift can only be passed down from a gifted clairvoyant to one, single, solitary person, and she was that chosen person. She said that one day in the future, when she was very old, she would pass it down to one person, too. There was nothing remarkable going on with Mrs. McKee, however. She was a sizer-upper of people, and a very good one. She just advised people using good old fashioned common sense.

There were others I consulted later on, in the 80’s, including a woman called Marge who lived in an apartment full of cats. She actually was able to tell me very specific things about people in my life—facts that I did not know at the time to be true, and only later learned were true indeed. I went into my first reading with her without my wedding ring, thinking I’d fool her by asking when I would get married. She dismissed the question easily. “You’re already married. You’ve already got your Sagittarius.” My husband is, in fact, a Sagittarius. Odds were one in twelve she’d guess that on the first try.

I stopped seeking out oracles as I developed more confidence in my ability to create my own future (or at least, some aspects of it). I only decided to try one more time, decades later, while I was writing Norbert’s story. I thought I should remind myself what it feels like to be the customer—or the “querent”—as Norbert would say. And I thought I should objectively observe the work of the fortune-teller.

I reserved 20 minutes with a “psychic” called Sue, who works at a local restaurant. She was seated in the back, behind some folding screens. She told me she was clairaudient, meaning that spirits spoke to her. She said, “Whoever shows up, shows up. I can’t request specific spirits. So we’ll see who comes forward for you.”

Fortune-tellers must be high tech now, because she asked me to state my full name clearly and slowly while she looked down and held her hand to her ear. I didn’t need ESP to guess that someone in another location was listening to me state my name, and was Googling me. Sue asked me to be silent for a moment while the spirits came forward to talk to her. After a couple of moments, she told me seventeen things, none of them true. All misses, and no hits. I wrote it all down.

She asked if I had any questions.

I went for it. “Actually,” I said, “I am writing a book.”

“Oh, really,” said Sue. “The spirits are nodding their heads. This book will be published. It will be very successful.”

“Oh, that’s very encouraging!” I said, hoping it was true. Maybe, I thought, she is a real psychic after all!

“What is your book about?” asked Sue.

“Well, uh, funnily enough… well, it’s about a man who has trouble making ends meet, so he becomes a fortune teller—even though he doesn’t believe in it—just to be able to pay his bills, you know…” I trailed off.

Sue’s expression had changed from a dreamy self-assurance to panic and watchfulness.

I felt I was being rude, so I broke off that line of thought, and instead asked her questions about her experience with spirits, just to let her regain her balance. Her expression went back to misty smugness again. She really was an interesting woman.

I’d done my research. I thanked Sue, and I crossed her palm with silver.